An assortment of different things.
theatlantic:

The Quiet Radicalism of All That

The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.
But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.
Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.
In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.
Read more. [Image: Nickelodeon]

theatlantic:

The Quiet Radicalism of All That

The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.

But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.

Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.

In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.

Read more. [Image: Nickelodeon]

life-at-taco-bell:

You would think that teenagers would be the rudest customers when really it’s mostly old, middle-aged people. 

guiseofgentlewords:

my father told me once to never date anyone who talks smoothly around you from the start because if someone likes you they should be a little nervous and honestly i think that’s some of the best advice anyone has ever given me

malformalady:

Carved crocodile skull

malformalady:

Carved crocodile skull

grumpyspacetoad:

fun fact about being gay: you do all that high school emotional shit in your twenties because you didn’t get to do it in your teens

geejayeff:

aaajmachine:

I know you don’t like to talk, but you gotta do it for her.

Yadriel & Maria appreciation post ✿◕‿◕✿

HE SAID MORE THAN HE DID ALL SEASON. I THOUGHT HE DIDN’T CARE. I THOUGHT HE WAS JUST BEING NICE AND LETTING HIS BABY MAMA SEE THE BABY THAT HE PROBABLY DIDN’T REALLY WANT AND BARELY LOOKED AFTER BUT I WAS FUCKING WRONG. I WAS WRONG ABOUT HIM. HE’S JUST QUIET. THE DUDE IS STOIC AS FUCK AND HE FUCKING LOVES MARIA AND HE LOVES THAT BABY AND IT’S FUCKING BEAUTIFUL THE WAY HE GUSHES AND TALKS TO HER LIKE MARIA ASKED HIM TO DO BECAUSE HE WANTS HER TO GROW UP SMART AND LOVED.

But also look at how cute the baby is dressed in each visit. Who did that? Daddy did. But that’s exactly the kind of visual cue that gets lost when he’s getting judged for his bald head, tattoos and stoic (thuggish?) demeanor.

staceythinx:

Recent work from Lincoln Harrison, one of my very favorite photographers.

definitely-insane:

FALCON PUNCH!!

definitely-insane:

FALCON PUNCH!!

gameandwatch:

dirtycartunes:

wtf

how are you getting that much momentum on the third kick


Centrifugal force and a well timed release of whichever leg you want to kick with!

gameandwatch:

dirtycartunes:

wtf

how are you getting that much momentum on the third kick

Centrifugal force and a well timed release of whichever leg you want to kick with!

eyecager:

Torsos tips from Anatomy for Sculptors

I have an Anatomy Intensive class on Torso’s-Front and Back this term so expect a lot of information relating to it being put up.

Psychedelic drugs are simply instruments, like microscopes, telescopes, and telephones. The biologist does not sit with eye permanently glued to the microscope, he goes away and works on what he has seen…
Alan Watts  (via happyasatree)
dragonsandcatporn:

sagaciouscejai:

mamasam:

Rum. Goldschlager. Gin. Vodka.
Only the avatar, master of all four alcohols, could get this shit cranked.

but when the party needed him most, he got sober.

and everything changed when the stoner nation attacked

dragonsandcatporn:

sagaciouscejai:

mamasam:

Rum. Goldschlager. Gin. Vodka.

Only the avatar, master of all four alcohols, could get this shit cranked.

but when the party needed him most, he got sober.

and everything changed when the stoner nation attacked